What is Fiorenza Cossotto's Net Worth?
Fiorenza Cossotto is a distinguished Italian mezzo-soprano opera singer with a remarkable net worth of $20 million. Born on April 22, 1935, in Crescentino, Italy, Cossotto has gained worldwide acclaim for her passionate portrayals in Verdi's operas, including unforgettable roles such as Azucena from 'Il Trovatore', Amneris in 'Aida', Lady Macbeth from 'Macbeth', and Princess Eboli in 'Don Carlo'.
Besides her prowess in Verdi's works, Cossotto has excelled in bel canto roles, a style characterized by beautiful singing. She has delivered stellar performances as Rosina in Rossini's 'The Barber of Seville', Leonora in Donizetti's 'La Favorita', and Adalgisa in Bellini's 'Norma'.
Early Life and Education
Cossotto’s musical journey began with her graduation in 1956 from the prestigious Turin Conservatory, where she excelled and finished at the top of her class. She then joined the training school of La Scala in Milan, Italy, one of the most revered opera houses in the world, which set a strong foundation for her illustrious career.
Career Milestones
Her operatic debut was in the world premiere of Poulenc's 'The Dialogues of the Carmelites' in 1957 as Sister Matilde. The following year, she marked her international debut at the Wexford Festival portraying Giovanna Seymour in Donizetti's 'Anna Bolena'.
According to the book "Opera" published by Koenemann, Cossotto remained a leading figure among Italian mezzo-sopranos throughout the 1960s and 1970s, performing with other luminaries of the opera world, including Maria Callas. Cossotto's interaction with Callas was surrounded by controversy, particularly after their duet, 'Mira, o Norma', where accusations surfaced suggesting that Cossotto might have overshadowed Callas by holding high notes beyond the expected duration, leading to lingering debates even after Callas' death in 1977.
Fiorenza Cossotto’s contribution to opera is invaluable, and her performances continue to inspire new generations of singers and opera enthusiasts.
